Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll)
30s preview
- BPM
- 117
- Open Key
- 8m
- Energy
- 78/100
- Pop
- 6/100
- Length
- 4:20
- Released
- 2004
- Album
- Tűzkeresztség
- Genre
- Hard Rock
- Loudness
- -3.0 dB
- Dynamics
- 12.2 dB
- ISRC
- HUA630400034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tűzkeresztség II.original10B · 130
- Tűzkeresztség II. (Live)original9B · 130
- Tűzkeresztség II. - Short Versionoriginal5B · 117
Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll) is a mid-tempo hard rock track in B♭ minor (3A) at 117 BPM. The feel is punchy, neutral in mood. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2004 production that still circulates in sets. Groovier than 96% of Ossian's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 83% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll) in?
Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll) by Ossian is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll)?
Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll) runs at 117 BPM, a mid-tempo track.
What mixes well with Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Tűzkeresztség II. (Rock N' Roll, Csak Rock N' Roll) good for peak time?
With energy 78 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 117 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.