Megkísértés
30s preview
- BPM
- 153
- Half-time
- 77
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 5/100
- Length
- 4:46
- Released
- 2004
- Album
- Tűzkeresztség
- Genre
- Hard Rock
- Loudness
- -3.1 dB
- Dynamics
- 11.4 dB
- ISRC
- HUA630400035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A fast hard rock cut, Megkísértés sits in B♭ minor (3A) at 153 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2004 production that still circulates in sets. Darker than 97% of Ossian's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 91% of Ossian's catalogue
- Low end:
- more bass-heavy than 91% of Ossian's catalogue
- Tempo:
- faster than 80% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Megkísértés in?
Megkísértés by Ossian is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Megkísértés?
Megkísértés runs at 153 BPM, a fast track.
What mixes well with Megkísértés?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Megkísértés good for peak time?
With energy 93 out of 100 at 153 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 153 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 144-162 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 153 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 153 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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