A Zsoldos by Ossian cover art

A Zsoldos

Ossian

30s preview

Key
1A · A♭ minor
BPM
157
Half-time
79
Open Key
6m
Energy
95/100
Pop
7/100
Length
4:15
Released
1999
Album
Fémzene
Genre
Hard Rock
Loudness
-4.0 dB
Dynamics
14.4 dB
ISRC
HUA639900014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A Zsoldos runs 157 BPM in A♭ minor (1A), a fast hard rock record. The feel is bright and euphoric. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 1999 production that still circulates in sets. Brighter than 90% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 83% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood70Bright
Groove41
Acoustic0
Instrumental0
Live16
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is A Zsoldos in?

A Zsoldos by Ossian is in A♭ minor, or 1A on the Camelot wheel.

What BPM is A Zsoldos?

A Zsoldos runs at 157 BPM, a fast track.

What mixes well with A Zsoldos?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is A Zsoldos good for peak time?

With energy 95 out of 100 at 157 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 157 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 148-166 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 157 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 157 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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