Hé,te ! - (1998 - Acélszív - Újrafelvett)
30s preview
- BPM
- 152
- Half-time
- 76
- Open Key
- 5m
- Energy
- 90/100
- Pop
- 4/100
- Length
- 4:23
- Released
- 1999
- Album
- Az utolsó lázadó
- Genre
- Hard Rock
- Loudness
- -7.1 dB
- Dynamics
- 15.2 dB
- ISRC
- HUA639900003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hé, te! (Live)original4A · 153
- Hé, te!original9B · 76
Hé,te ! - (1998 - Acélszív - Újrafelvett) is a fast hard rock track in D♭ minor (12A) at 152 BPM. It reads as punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 1999 production that still circulates in sets. Faster than 78% of Ossian's catalogue. For programming, treat it as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Hé,te ! - (1998 - Acélszív - Újrafelvett) in?
Hé,te ! - (1998 - Acélszív - Újrafelvett) by Ossian is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Hé,te ! - (1998 - Acélszív - Újrafelvett)?
Hé,te ! - (1998 - Acélszív - Újrafelvett) runs at 152 BPM, a fast track.
What mixes well with Hé,te ! - (1998 - Acélszív - Újrafelvett)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Hé,te ! - (1998 - Acélszív - Újrafelvett) good for peak time?
With energy 90 out of 100 at 152 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 152 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 152 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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