Amire megvirrad
30s preview
- Key
- 6A · G minor
- BPM
- 151
- Half-time
- 76
- Open Key
- 11m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 4:51
- Released
- 2011
- Album
- Koncert - Budapest Petőfi Csarnok 2009. November 28.
- Genre
- Hard Rock
- Loudness
- -4.2 dB
- Dynamics
- 11.6 dB
- ISRC
- HUA631100072
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Amire megvirrad runs 151 BPM in G minor (6A), a fast hard rock record. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 93% of Ossian's catalogue
- Energy:
- hotter than 84% of Ossian's catalogue
- Groove:
- less groove-driven than 82% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Amire megvirrad in?
Amire megvirrad by Ossian is in G minor, or 6A on the Camelot wheel.
What BPM is Amire megvirrad?
Amire megvirrad runs at 151 BPM, a fast track.
What mixes well with Amire megvirrad?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Amire megvirrad good for peak time?
With energy 97 out of 100 at 151 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 151 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 142-160 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 151 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 151 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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