Ezer Dal, Száz Csillag
30s preview
- BPM
- 74
- Double-time
- 148
- Open Key
- 8d
- Energy
- 97/100
- Pop
- 5/100
- Length
- 2:32
- Released
- 2001
- Album
- Titkos Ünnep
- Genre
- Hard Rock
- Loudness
- -4.2 dB
- Dynamics
- 11.1 dB
- ISRC
- HUA630100023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ezer Dal, Száz Csillag is a hard rock track in D♭ major (3B) at 74 BPM. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2001 production that still circulates in sets. Slower than 99% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 99% of Ossian's catalogue
- Low end:
- more bass-heavy than 95% of Ossian's catalogue
- Brightness:
- darker than 94% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Ezer Dal, Száz Csillag in?
Ezer Dal, Száz Csillag by Ossian is in D♭ major, or 3B on the Camelot wheel.
What BPM is Ezer Dal, Száz Csillag?
Ezer Dal, Száz Csillag runs at 74 BPM.
What mixes well with Ezer Dal, Száz Csillag?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Ezer Dal, Száz Csillag good for peak time?
With energy 97 out of 100 at 74 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 74 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 70-78 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 74 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 74 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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