Metal-Vihar
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 4d
- Energy
- 94/100
- Pop
- 4/100
- Length
- 4:09
- Released
- 2005
- Album
- A Szabadság Fantomja
- Genre
- Hard Rock
- Loudness
- -1.9 dB
- Dynamics
- 9.8 dB
- ISRC
- HUA630500187
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Metal-viharoriginal3B · 156
- Metal-nemzedékoriginal8A · 86
- Metál-kezelésoriginal8A · 155
At 150 BPM in A major (11B), Metal-Vihar is a fast hard rock production. It reads as dark and driving. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2005 production that still circulates in sets. More bass-heavy than 98% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- darker than 96% of Ossian's catalogue
- Tempo:
- faster than 76% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Metal-Vihar in?
Metal-Vihar by Ossian is in A major, or 11B on the Camelot wheel.
What BPM is Metal-Vihar?
Metal-Vihar runs at 150 BPM, a fast track.
What mixes well with Metal-Vihar?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Metal-Vihar good for peak time?
With energy 94 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 150 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.