Árnyékból a fénybe
30s preview
- Key
- 4A · F minor
- BPM
- 151
- Half-time
- 76
- Open Key
- 9m
- Energy
- 95/100
- Pop
- 5/100
- Length
- 4:13
- Released
- 2011
- Album
- 25 éves Jubileumi koncert 1
- Genre
- Hard Rock
- Loudness
- -4.3 dB
- Dynamics
- 13.2 dB
- ISRC
- HUA631100474
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Árnyékból A Fénybeoriginal3B · 148
- Árnyékból A Fénybeoriginal3B · 79
Árnyékból a fénybe: fast hard rock, F minor (4A), 151 BPM. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. Less groove-driven than 93% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- darker than 91% of Ossian's catalogue
- Tempo:
- faster than 77% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Árnyékból a fénybe in?
Árnyékból a fénybe by Ossian is in F minor, or 4A on the Camelot wheel.
What BPM is Árnyékból a fénybe?
Árnyékból a fénybe runs at 151 BPM, a fast track.
What mixes well with Árnyékból a fénybe?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Árnyékból a fénybe good for peak time?
With energy 95 out of 100 at 151 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 151 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 142-160 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 151 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 151 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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