Védd Magad
- Key
- 1B · B major
- BPM
- 152
- Half-time
- 76
- Open Key
- 6d
- Energy
- 95/100
- Pop
- 5/100
- Length
- 3:42
- Released
- 1999
- Album
- Fémzene
- Genre
- Hard Rock
- Loudness
- -2.8 dB
- ISRC
- HUA639900015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Védd Magad runs 152 BPM in B major (1B), a fast hard rock record. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 1999 production that still circulates in sets. Faster than 78% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Védd Magad in?
Védd Magad by Ossian is in B major, or 1B on the Camelot wheel.
What BPM is Védd Magad?
Védd Magad runs at 152 BPM, a fast track.
What mixes well with Védd Magad?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Védd Magad good for peak time?
With energy 95 out of 100 at 152 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 152 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 143-161 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 152 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 152 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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