Társ A Bajban - Symphonic Version
- BPM
- 150
- Half-time
- 75
- Open Key
- 7d
- Energy
- 45/100
- Pop
- 7/100
- Length
- 3:19
- Released
- 2006
- Album
- A Lélek Hangja
- Genre
- Hard Rock
- Loudness
- -6.6 dB
- ISRC
- HUA630600053
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Társ A Bajbanoriginal2B · 150
Társ A Bajban - Symphonic Version is a fast hard rock track in F♯ major (2B) at 150 BPM. It is vocal-led. A 2006 production that still circulates in sets. Calmer than 99% of Ossian's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 81% of Ossian's catalogue
- Tempo:
- faster than 76% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Társ A Bajban - Symphonic Version in?
Társ A Bajban - Symphonic Version by Ossian is in F♯ major, or 2B on the Camelot wheel.
What BPM is Társ A Bajban - Symphonic Version?
Társ A Bajban - Symphonic Version runs at 150 BPM, a fast track.
What mixes well with Társ A Bajban - Symphonic Version?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Társ A Bajban - Symphonic Version good for peak time?
With energy 45 out of 100 at 150 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 150 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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