Legyen Miénk Az Élet
30s preview
- BPM
- 161
- Half-time
- 81
- Open Key
- 8d
- Energy
- 96/100
- Pop
- 3/100
- Length
- 4:19
- Released
- 2006
- Album
- Létünk A Bizonyíték 1
- Genre
- Hard Rock
- Loudness
- -6.1 dB
- Dynamics
- 12.8 dB
- ISRC
- HUA630600028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Legyen miénk az élet (Live)original10B · 149
- Legyen Miénk Az Életoriginal3A · 151
- Legyen miénk az Életoriginal3B · 157
- Legyen miénk az Életoriginal3B · 157
At 161 BPM in D♭ major (3B), Legyen Miénk Az Élet is a very fast hard rock production. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2006 production that still circulates in sets. Less groove-driven than 98% of Ossian's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 87% of Ossian's catalogue
- Reach:
- more underground than 82% of Ossian's catalogue
- Energy:
- hotter than 76% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Legyen Miénk Az Élet in?
Legyen Miénk Az Élet by Ossian is in D♭ major, or 3B on the Camelot wheel.
What BPM is Legyen Miénk Az Élet?
Legyen Miénk Az Élet runs at 161 BPM, a very fast track.
What mixes well with Legyen Miénk Az Élet?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Legyen Miénk Az Élet good for peak time?
With energy 96 out of 100 at 161 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 161 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 151-171 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 161 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 161 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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