Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről)
30s preview
- BPM
- 168
- Half-time
- 84
- Open Key
- 9d
- Energy
- 89/100
- Pop
- 3/100
- Length
- 3:53
- Released
- 1999
- Album
- Az utolsó lázadó
- Genre
- Hard Rock
- Loudness
- -7.3 dB
- Dynamics
- 15.2 dB
- ISRC
- HUA639900001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Az Utolsó Lázadóoriginal2A · 164
A very fast hard rock cut, Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről) sits in A♭ major (4B) at 168 BPM. The feel is bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 1999 production that still circulates in sets. Brighter than 97% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 91% of Ossian's catalogue
- Reach:
- more underground than 82% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről) in?
Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről) by Ossian is in A♭ major, or 4B on the Camelot wheel.
What BPM is Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről)?
Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről) runs at 168 BPM, a very fast track.
What mixes well with Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről) good for peak time?
With energy 89 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 168 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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