Az Utolsó Lázadó
30s preview
- BPM
- 164
- Half-time
- 82
- Open Key
- 7m
- Energy
- 96/100
- Pop
- 6/100
- Length
- 3:57
- Released
- 1999
- Album
- Fémzene
- Genre
- Hard Rock
- Loudness
- -3.7 dB
- Dynamics
- 12.5 dB
- ISRC
- HUA639900018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Az utolsó lázadó - (Előzetes az 1999 -ben megjelenő Fémzenéről)original4B · 168
Az Utolsó Lázadó: very fast hard rock, E♭ minor (2A), 164 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 1999 production that still circulates in sets. Brighter than 99% of Ossian's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 88% of Ossian's catalogue
- Energy:
- hotter than 78% of Ossian's catalogue
- Low end:
- more treble-tilted than 78% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Az Utolsó Lázadó in?
Az Utolsó Lázadó by Ossian is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Az Utolsó Lázadó?
Az Utolsó Lázadó runs at 164 BPM, a very fast track.
What mixes well with Az Utolsó Lázadó?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Az Utolsó Lázadó good for peak time?
With energy 96 out of 100 at 164 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 164 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 154-174 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 164 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 164 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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