Mindig veled by Ossian cover art

Mindig veled

Ossian

30s preview

Key
6A · G minor
BPM
160
Half-time
80
Open Key
11m
Energy
95/100
Pop
8/100
Length
4:01
Released
2013
Album
A Tűz jegyében
Genre
Hard Rock
Loudness
-2.1 dB
Dynamics
11.2 dB
ISRC
HUA631300030

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Mindig veled runs 160 BPM in G minor (6A), a very fast hard rock record. It reads as bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. Brighter than 88% of Ossian's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 86% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood68Bright
Groove56
Acoustic1
Instrumental1
Live30
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Mindig veled in?

Mindig veled by Ossian is in G minor, or 6A on the Camelot wheel.

What BPM is Mindig veled?

Mindig veled runs at 160 BPM, a very fast track.

What mixes well with Mindig veled?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Mindig veled good for peak time?

With energy 95 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 160 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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