Tűzkeresztég - Concert-Bonus 2004
30s preview
- BPM
- 97
- Double-time
- 194
- Open Key
- 5m
- Energy
- 99/100
- Pop
- 3/100
- Length
- 3:29
- Released
- 2005
- Album
- A Szabadság Fantomja
- Genre
- Hard Rock
- Loudness
- -2.0 dB
- Dynamics
- 10.1 dB
- ISRC
- HUA630500195
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo hard rock cut, Tűzkeresztég - Concert-Bonus 2004 sits in D♭ minor (12A) at 97 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2005 production that still circulates in sets. Hotter than 99% of Ossian's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 85% of Ossian's catalogue
- Reach:
- more underground than 82% of Ossian's catalogue
- Tempo:
- slower than 81% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Tűzkeresztég - Concert-Bonus 2004 in?
Tűzkeresztég - Concert-Bonus 2004 by Ossian is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Tűzkeresztég - Concert-Bonus 2004?
Tűzkeresztég - Concert-Bonus 2004 runs at 97 BPM, a slow-groove tempo track.
What mixes well with Tűzkeresztég - Concert-Bonus 2004?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Tűzkeresztég - Concert-Bonus 2004 good for peak time?
With energy 99 out of 100 at 97 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 97 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 91-103 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 97 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 97 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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