Tébolyult Szombat
30s preview
- BPM
- 192
- Half-time
- 96
- Open Key
- 9d
- Energy
- 66/100
- Pop
- 0/100
- Length
- 3:16
- Released
- 1992
- Album
- 1986-1992
- Genre
- Hard Rock
- Loudness
- -13.3 dB
- Dynamics
- 15.9 dB
- ISRC
- HUA253765112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tébolyult szombatoriginal10B · 98
- Tébolyult szombatoriginal3B · 96
A hard rock cut, Tébolyult Szombat sits in A♭ major (4B) at 192 BPM. Tonally it lands bright and euphoric. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 1992 production that still circulates in sets. Faster than 99% of Ossian's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- more underground than 99% of Ossian's catalogue
- Energy:
- calmer than 95% of Ossian's catalogue
- Brightness:
- brighter than 88% of Ossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Tébolyult Szombat in?
Tébolyult Szombat by Ossian is in A♭ major, or 4B on the Camelot wheel.
What BPM is Tébolyult Szombat?
Tébolyult Szombat runs at 192 BPM.
What mixes well with Tébolyult Szombat?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Tébolyult Szombat good for peak time?
With energy 66 out of 100 at 192 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 192 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 180-204 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 192 — beatmatch without a big tempo pull.
More hard rock
More from Ossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 192 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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