Somos el Cambio by tINI cover art

Somos el Cambio

tINI

30s preview

Key
8B · C major
BPM
198
Half-time
99
Open Key
1d
Energy
77/100
Pop
0/100
Length
3:49
Released
2017
Genre
Dance Pop
Loudness
-6.1 dB
Dynamics
11.8 dB
ISRC
ARG601700214

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Somos el Cambio is a dance pop track in C major (8B) at 198 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of tINI's catalogue. For programming, treat it as an opener or closing-set piece.

Tempo:
faster than 98% of tINI's catalogue
Brightness:
darker than 78% of tINI's catalogue
Groove:
less groove-driven than 77% of tINI's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood35Balanced
Groove52
Acoustic7
Instrumental0
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Somos el Cambio in?

Somos el Cambio by tINI is in C major, or 8B on the Camelot wheel.

What BPM is Somos el Cambio?

Somos el Cambio runs at 198 BPM.

What mixes well with Somos el Cambio?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Somos el Cambio good for peak time?

With energy 77 out of 100 at 198 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 198 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 186-210 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 198 — beatmatch without a big tempo pull.

#TrackKey·BPM

More dance pop

#TrackKey·BPM

More from tINI

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 198 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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