Bésame (I Need You) (with TINI & Reik)
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 4d
- Energy
- 70/100
- Pop
- 40/100
- Length
- 2:16
- Released
- 2020
- Genre
- Dance Pop
- Loudness
- -6.0 dB
- Dynamics
- 11.6 dB
- ISRC
- NLW4L2000286
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bésame (I Need You)original11B · 100
A slow-groove tempo dance pop cut, Bésame (I Need You) (with TINI & Reik) sits in A major (11B) at 100 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More bass-heavy than 91% of tINI's catalogue.
- Groove:
- groovier than 90% of tINI's catalogue
- Brightness:
- darker than 88% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Bésame (I Need You) (with TINI & Reik) in?
Bésame (I Need You) (with TINI & Reik) by tINI is in A major, or 11B on the Camelot wheel.
What BPM is Bésame (I Need You) (with TINI & Reik)?
Bésame (I Need You) (with TINI & Reik) runs at 100 BPM, a slow-groove tempo track.
What mixes well with Bésame (I Need You) (with TINI & Reik)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Bésame (I Need You) (with TINI & Reik) good for peak time?
With energy 70 out of 100 at 100 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 100 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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