buenos aires by tINI cover art

buenos aires

tINI

30s preview

Key
12B · E major
BPM
112
Open Key
5d
Energy
79/100
Pop
52/100
Length
3:23
Released
2024
Genre
Dance Pop
Label
Hollywood Records
Loudness
-4.6 dB
Dynamics
9.2 dB
ISRC
USHR12447553

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

buenos aires is a mid-tempo dance pop track in E major (12B) at 112 BPM. Tonally it lands bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 85% of tINI's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 84% of tINI's catalogue
Energy:
hotter than 76% of tINI's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood66Balanced
Groove64
Acoustic10
Instrumental0
Live24
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is buenos aires in?

buenos aires by tINI is in E major, or 12B on the Camelot wheel.

What BPM is buenos aires?

buenos aires runs at 112 BPM, a mid-tempo track.

What mixes well with buenos aires?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is buenos aires good for peak time?

With energy 79 out of 100 at 112 BPM, it works best as a mid-set roller.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 112 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 112 — beatmatch without a big tempo pull.

#TrackKey·BPM

More dance pop

#TrackKey·BPM

More from tINI

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.