Losing the Love
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 80/100
- Pop
- 37/100
- Length
- 3:41
- Released
- 2016
- Album
- TINI (Martina Stoessel) [Deluxe Edition]
- Genre
- Dance Pop
- Loudness
- -4.3 dB
- ISRC
- USWD11676171
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in G major (9B), Losing the Love is a club-tempo dance pop production. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Darker than 86% of tINI's catalogue.
- Groove:
- less groove-driven than 81% of tINI's catalogue
- Energy:
- hotter than 78% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Losing the Love in?
Losing the Love by tINI is in G major, or 9B on the Camelot wheel.
What BPM is Losing the Love?
Losing the Love runs at 125 BPM, a club-tempo track.
What mixes well with Losing the Love?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Losing the Love good for peak time?
With energy 80 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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