Great Escape - Brian Cross Remix
- BPM
- 125
- Open Key
- 6m
- Energy
- 88/100
- Pop
- 14/100
- Length
- 3:53
- Released
- 2016
- Album
- Great Escape (Brian Cross Remix)
- Genre
- Dance Pop
- Loudness
- -3.9 dB
- ISRC
- USHR11637675
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Great Escapeoriginal1A · 120
- Great Escape - Anton Powers Remixremix1A · 124
Against the original (1A at 120 BPM), this version runs 5 BPM faster in the same key.
A club-tempo dance pop cut, Great Escape - Brian Cross Remix sits in A♭ minor (1A) at 125 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Hotter than 95% of tINI's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 76% of tINI's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Great Escape - Brian Cross Remix in?
Great Escape - Brian Cross Remix by tINI is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Great Escape - Brian Cross Remix?
Great Escape - Brian Cross Remix runs at 125 BPM, a club-tempo track.
What mixes well with Great Escape - Brian Cross Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Great Escape - Brian Cross Remix good for peak time?
With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More dance pop
More from tINI
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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