Don't Cry for Me by tINI cover art

Don't Cry for Me

tINI

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
74/100
Pop
27/100
Length
4:03
Released
2016
Album
TINI (Martina Stoessel) [Deluxe Edition]
Genre
Dance Pop
Loudness
-5.0 dB
Dynamics
14.6 dB
ISRC
USHR11637123

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Don't Cry for Me runs 125 BPM in B minor (10A), a club-tempo dance pop record. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. Groovier than 95% of tINI's catalogue. For programming, treat it as a floor-filler.

Brightness:
brighter than 82% of tINI's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood74Bright
Groove86
Acoustic10
Instrumental0
Live19
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Don't Cry for Me in?

Don't Cry for Me by tINI is in B minor, or 10A on the Camelot wheel.

What BPM is Don't Cry for Me?

Don't Cry for Me runs at 125 BPM, a club-tempo track.

What mixes well with Don't Cry for Me?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Don't Cry for Me good for peak time?

With energy 74 out of 100 at 125 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More dance pop

#TrackKey·BPM

More from tINI

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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