Could by Elderbrook cover art

30s preview

Key
9B · G major
BPM
201
Half-time
101
Open Key
2d
Energy
24/100
Pop
0/100
Length
3:40
Released
2014
Genre
Dance Pop
Loudness
-13.0 dB
Dynamics
10.5 dB
ISRC
GBMKA1486359
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Could: dance pop, G major (9B), 201 BPM. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Elderbrook's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
faster than 98% of Elderbrook's catalogue
Energy:
calmer than 96% of Elderbrook's catalogue
Brightness:
brighter than 79% of Elderbrook's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy24
Mood56Balanced
Groove73
Acoustic83
Instrumental1
Live11
Speech39

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Could in?

Could by Elderbrook is in G major, or 9B on the Camelot wheel.

What BPM is Could?

Could runs at 201 BPM.

What mixes well with Could?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Could good for peak time?

With energy 24 out of 100 at 201 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 201 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 189-213 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 201 — beatmatch without a big tempo pull.

#Track

More dance pop

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 201 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track