Little Love (Little Interlude)
30s preview
- Key
- 7B · F major
- BPM
- 104
- Open Key
- 12d
- Energy
- 49/100
- Pop
- 28/100
- Length
- 2:50
- Released
- 2023
- Genre
- House
- Loudness
- -11.6 dB
- Dynamics
- 10.9 dB
- ISRC
- US39N2202546
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Little Love (Little Interlude) is a slow-groove tempo house track in F major (7B) at 104 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 98% of Elderbrook's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 97% of Elderbrook's catalogue
- Tempo:
- slower than 95% of Elderbrook's catalogue
- Energy:
- calmer than 78% of Elderbrook's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Little Love (Little Interlude) in?
Little Love (Little Interlude) by Elderbrook is in F major, or 7B on the Camelot wheel.
What BPM is Little Love (Little Interlude)?
Little Love (Little Interlude) runs at 104 BPM, a slow-groove tempo track.
What mixes well with Little Love (Little Interlude)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Little Love (Little Interlude) good for peak time?
With energy 49 out of 100 at 104 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 104 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 104 — beatmatch without a big tempo pull.
More house
More from Elderbrook
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
