Cor Ten (In Key)
30s preview
- BPM
- 200
- Half-time
- 100
- Open Key
- 9d
- Energy
- 21/100
- Pop
- 21/100
- Length
- 6:29
- Released
- 2022
- Album
- Consumed In Key
- Genre
- Minimal
- Loudness
- -26.3 dB
- Dynamics
- 11.1 dB
- ISRC
- CAM262100004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cor Tenoriginal3B · 200
Cor Ten (In Key): minimal, A♭ major (4B), 200 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 99% of Richie Hawtin's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 94% of Richie Hawtin's catalogue
- Groove:
- less groove-driven than 87% of Richie Hawtin's catalogue
- Reach:
- better known than 87% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 60%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 10%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Cor Ten (In Key) in?
Cor Ten (In Key) by Richie Hawtin is in A♭ major, or 4B on the Camelot wheel.
What BPM is Cor Ten (In Key)?
Cor Ten (In Key) runs at 200 BPM.
What mixes well with Cor Ten (In Key)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Cor Ten (In Key) good for peak time?
With energy 21 out of 100 at 200 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 200 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
More minimal
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
