Lasttrak by Richie Hawtin cover art

30s preview

Key
9B · G major
BPM
102
Open Key
2d
Energy
76/100
Pop
20/100
Length
7:50
Released
1994
Album
Musik
Genre
Minimal
Loudness
-7.4 dB
Dynamics
13.4 dB
ISRC
CAM269480043

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A slow-groove tempo minimal cut, Lasttrak sits in G major (9B) at 102 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 1994 production that still circulates in sets. Slower than 90% of Richie Hawtin's catalogue. In a set it works best as a floor-filler.

Reach:
better known than 84% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood5Dark
Groove75
Acoustic0
Instrumental90
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
24%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Lasttrak in?

Lasttrak by Richie Hawtin is in G major, or 9B on the Camelot wheel.

What BPM is Lasttrak?

Lasttrak runs at 102 BPM, a slow-groove tempo track.

What mixes well with Lasttrak?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Lasttrak good for peak time?

With energy 76 out of 100 at 102 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 102 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 96-108 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 102 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 102 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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