Sickness by Richie Hawtin cover art

30s preview

Key
9A · E minor
BPM
107
Open Key
2m
Energy
94/100
Pop
4/100
Length
7:41
Released
1997
Genre
Minimal
Loudness
-6.3 dB
Dynamics
9.4 dB
ISRC
CAM269780002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 107 BPM in E minor (9A), Sickness is a mid-tempo minimal production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 1997 production that still circulates in sets. Slower than 88% of Richie Hawtin's catalogue. For programming, treat it as a floor-filler.

Energy:
hotter than 85% of Richie Hawtin's catalogue
Groove:
groovier than 80% of Richie Hawtin's catalogue
Reach:
more underground than 76% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood7Dark
Groove79
Acoustic4
Instrumental91
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
50%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Sickness in?

Sickness by Richie Hawtin is in E minor, or 9A on the Camelot wheel.

What BPM is Sickness?

Sickness runs at 107 BPM, a mid-tempo track.

What mixes well with Sickness?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Sickness good for peak time?

With energy 94 out of 100 at 107 BPM, it works best as a floor-filler.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 107 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 101-113 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 107 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 107 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track