One Man Show by Marco Carola cover art

One Man Show

Marco Carola

30s preview

Key
10B · D major
BPM
217
Half-time
109
Open Key
3d
Energy
82/100
Pop
23/100
Length
6:13
Released
2011
Genre
Minimal
Loudness
-10.2 dB
Dynamics
11.4 dB
ISRC
CAM261150009

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

One Man Show: minimal, D major (10B), 217 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. Less groove-driven than 99% of Marco Carola's catalogue. In a set it works best as a mid-set roller.

Tempo:
faster than 96% of Marco Carola's catalogue
Reach:
better known than 81% of Marco Carola's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood59Balanced
Groove44
Acoustic1
Instrumental96
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is One Man Show in?

One Man Show by Marco Carola is in D major, or 10B on the Camelot wheel.

What BPM is One Man Show?

One Man Show runs at 217 BPM.

What mixes well with One Man Show?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is One Man Show good for peak time?

With energy 82 out of 100 at 217 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

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Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 217 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 204-230 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 217 — beatmatch without a big tempo pull.

#Track

More minimal

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More from Marco Carola

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 217 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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