Kimbo by Marco Carola cover art

30s preview

Key
4A · F minor
BPM
124
Open Key
9m
Energy
80/100
Pop
24/100
Length
6:13
Released
2011
Genre
Techno
Loudness
-9.5 dB
Dynamics
11.9 dB
ISRC
CAM261150004

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 124 BPM in F minor (4A), Kimbo is a club-tempo techno production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Slower than 96% of Marco Carola's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 83% of Marco Carola's catalogue
Brightness:
darker than 82% of Marco Carola's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood24Dark
Groove82
Acoustic0
Instrumental91
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Kimbo in?

Kimbo by Marco Carola is in F minor, or 4A on the Camelot wheel.

What BPM is Kimbo?

Kimbo runs at 124 BPM, a club-tempo track.

What mixes well with Kimbo?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Kimbo good for peak time?

With energy 80 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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