Sweet Perfection - Stranger Things Dub
30s preview
- Key
- 6A · G minor
- BPM
- 124
- Open Key
- 11m
- Energy
- 80/100
- Pop
- 1/100
- Length
- 8:24
- Released
- 2018
- Album
- Sweet Perfection
- Genre
- Minimal
- Label
- Yoshitoshi Recordings
- Loudness
- -7.2 dB
- Dynamics
- 20.7 dB
- ISRC
- GBKQU1808908
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sweet Perfectionoriginal7A · 124
- Sweet Perfection - Sharam Remixremix11B · 124
- Sweet Perfection - Sharam's Crazi Dubversion11B · 124
Against the original (7A at 124 BPM), this version holds the same tempo and moves the key from 7A to 6A.
Sweet Perfection - Stranger Things Dub runs 124 BPM in G minor (6A), a club-tempo minimal record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 21 dB). A 2018 production that still circulates in sets. More treble-tilted than 99% of Eli & Fur's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 85% of Eli & Fur's catalogue
- Reach:
- more underground than 82% of Eli & Fur's catalogue
- Brightness:
- darker than 76% of Eli & Fur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Sweet Perfection - Stranger Things Dub in?
Sweet Perfection - Stranger Things Dub by Eli & Fur is in G minor, or 6A on the Camelot wheel.
What BPM is Sweet Perfection - Stranger Things Dub?
Sweet Perfection - Stranger Things Dub runs at 124 BPM, a club-tempo track.
What mixes well with Sweet Perfection - Stranger Things Dub?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Sweet Perfection - Stranger Things Dub good for peak time?
With energy 80 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 124 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More minimal
More from Eli & Fur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
