Body to Body
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 6:31
- Released
- 2012
- Album
- Want You
- Genre
- Techno
- Loudness
- -9.8 dB
- Dynamics
- 9.3 dB
- ISRC
- GBBVL1203302
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Body to Body: club-tempo techno, D♭ major (3B), 124 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Harvey McKay's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 90% of Harvey McKay's catalogue
- Brightness:
- brighter than 86% of Harvey McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Body to Body in?
Body to Body by Harvey McKay is in D♭ major, or 3B on the Camelot wheel.
What BPM is Body to Body?
Body to Body runs at 124 BPM, a club-tempo track.
What mixes well with Body to Body?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Body to Body good for peak time?
With energy 80 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Need U (100%) [feat. A*m*e] [Artful Bootleg Mix] by Duke Dumont cover art](https://i.scdn.co/image/ab67616d00001e028254a70d719190b1d070a431){kind=small}
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Harvey McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
