Love Is Here - Dub
30s preview
- Key
- 9A · E minor
- BPM
- 216
- Half-time
- 108
- Open Key
- 2m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 6:12
- Released
- 2018
- Album
- Love Is Here
- Genre
- House
- Loudness
- -10.2 dB
- Dynamics
- 13.1 dB
- ISRC
- GBSCL1813014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Is Here - Franky Rizardo Remixremix8A · 125
- Love Is Here - Original Mixoriginal9B · 122
Against the original (9B at 122 BPM), this version runs 94 BPM faster and moves the key from 9B to 9A.
At 216 BPM in E minor (9A), Love Is Here - Dub is a house production. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Faster than 99% of Ki Creighton's catalogue.
- Groove:
- less groove-driven than 99% of Ki Creighton's catalogue
- Reach:
- more underground than 99% of Ki Creighton's catalogue
- Brightness:
- brighter than 86% of Ki Creighton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Love Is Here - Dub in?
Love Is Here - Dub by Ki Creighton is in E minor, or 9A on the Camelot wheel.
What BPM is Love Is Here - Dub?
Love Is Here - Dub runs at 216 BPM.
What mixes well with Love Is Here - Dub?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Love Is Here - Dub good for peak time?
With energy 87 out of 100 at 216 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 216 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 203-229 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 216 — beatmatch without a big tempo pull.
More house
More from Ki Creighton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 216 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
