Met An Old Man
- Key
- 8B · C major
- BPM
- 75
- Double-time
- 150
- Open Key
- 1d
- Energy
- 38/100
- Pop
- 0/100
- Length
- 4:08
- Released
- 2006
- Album
- Fire And Be Damned
- Genre
- Speed Garage
- Loudness
- -11.6 dB
- ISRC
- ushm20606092
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Met An Old Man is a speed garage track in C major (8B) at 75 BPM. It is vocal-led. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Slower than 99% of Todd Edwards's catalogue.
- Reach:
- more underground than 99% of Todd Edwards's catalogue
- Energy:
- calmer than 97% of Todd Edwards's catalogue
- Groove:
- less groove-driven than 97% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Met An Old Man in?
Met An Old Man by Todd Edwards is in C major, or 8B on the Camelot wheel.
What BPM is Met An Old Man?
Met An Old Man runs at 75 BPM.
What mixes well with Met An Old Man?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Met An Old Man good for peak time?
With energy 38 out of 100 at 75 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 75 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 70-80 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 75 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 75 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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