Bad Trip by Nero cover art

Bad Trip

Nero

30s preview

Key
9B · G major
BPM
140
Half-time
70
Open Key
2d
Energy
93/100
Pop
13/100
Length
6:15
Released
2008
Genre
Dubstep
Label
Audio Freaks
Loudness
-3.5 dB
Dynamics
11.5 dB
ISRC
GBE281200099

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 140 BPM in G major (9B), Bad Trip is a driving up-tempo dubstep production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. Groovier than 79% of Nero's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
darker than 78% of Nero's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood7Dark
Groove68
Acoustic0
Instrumental81
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Bad Trip in?

Bad Trip by Nero is in G major, or 9B on the Camelot wheel.

What BPM is Bad Trip?

Bad Trip runs at 140 BPM, a driving up-tempo track.

What mixes well with Bad Trip?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Bad Trip good for peak time?

With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More dubstep

#Track

More from Nero

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track