Forgive You (original mix)
30s preview
- BPM
- 112
- Open Key
- 3d
- Energy
- 1/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2017
- Genre
- House
- Loudness
- -12.2 dB
- Dynamics
- 17.9 dB
- ISRC
- UK34N5300218
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Forgive You (original mix): mid-tempo house, D major (10B), 112 BPM. It is vocal-led. Its spectrum is focused in the upper-mids, present and forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2017 production that still circulates in sets. Calmer than 99% of Marlon Hoffstadt's catalogue.
- Tempo:
- slower than 99% of Marlon Hoffstadt's catalogue
- Reach:
- more underground than 99% of Marlon Hoffstadt's catalogue
- Low end:
- more treble-tilted than 99% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 8%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 37%
- Upper-mid
- 570 Hz-2.5 kHz
- 28%
- High
- 2.5-11 kHz
FAQ
What key is Forgive You (original mix) in?
Forgive You (original mix) by Marlon Hoffstadt is in D major, or 10B on the Camelot wheel.
What BPM is Forgive You (original mix)?
Forgive You (original mix) runs at 112 BPM, a mid-tempo track.
What mixes well with Forgive You (original mix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Forgive You (original mix) good for peak time?
With energy 1 out of 100 at 112 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 112 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
