Hold On - Maor's Deep Room Mix
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 3m
- Energy
- 84/100
- Pop
- 3/100
- Length
- 3:55
- Released
- 2022
- Album
- Hold On (The Remixes Part 2)
- Genre
- Downtempo
- Loudness
- -2.6 dB
- Dynamics
- 8.3 dB
- ISRC
- GBEWA2200361
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hold On - Kryder Remixremix9B · 130
- Hold Onoriginal10A · 128
- Hold Onoriginal10A · 128
- Hold On - Acoustic Mixoriginal10A · 120
- Hold On - Extended Mixversion10A · 128
- Hold On - GVN Remixremix10A · 130
Hold On - Maor's Deep Room Mix is a downtempo track in B minor (10A) at 172 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 99% of Ilan Bluestone's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 87% of Ilan Bluestone's catalogue
- Reach:
- more underground than 77% of Ilan Bluestone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Hold On - Maor's Deep Room Mix in?
Hold On - Maor's Deep Room Mix by Ilan Bluestone is in B minor, or 10A on the Camelot wheel.
What BPM is Hold On - Maor's Deep Room Mix?
Hold On - Maor's Deep Room Mix runs at 172 BPM.
What mixes well with Hold On - Maor's Deep Room Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Hold On - Maor's Deep Room Mix good for peak time?
With energy 84 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 172 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More downtempo
More from Ilan Bluestone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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