Never Still
- Key
- 8B · C major
- BPM
- 140
- Half-time
- 70
- Open Key
- 1d
- Energy
- 48/100
- Pop
- 1/100
- Length
- 6:02
- Released
- 2009
- Album
- Sine Tempus (The Soundtrack)
- Genre
- Drum N Bass
- Loudness
- -14.6 dB
- ISRC
- GBBHF0930081
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Never Still is a driving up-tempo drum n bass track in C major (8B) at 140 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Calmer than 93% of Goldie's catalogue. For programming, treat it as a high-intensity peak cut.
- Reach:
- more underground than 86% of Goldie's catalogue
- Brightness:
- brighter than 76% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Never Still in?
Never Still by Goldie is in C major, or 8B on the Camelot wheel.
What BPM is Never Still?
Never Still runs at 140 BPM, a driving up-tempo track.
What mixes well with Never Still?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Never Still good for peak time?
With energy 48 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 140 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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