
Need Someone
30s preview
- BPM
- 130
- Open Key
- 3d
- Energy
- 99/100
- Pop
- 30/100
- Length
- 4:04
- Released
- 2025
- Album
- Baile De Fantome EP
- Genre
- House
- Label
- LTF Records
- Loudness
- -7.3 dB
- Dynamics
- 12.8 dB
- ISRC
- NLML62500084
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 130 BPM in D major (10B), Need Someone is a peak-time tempo house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 98% of Franky Rizardo's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 95% of Franky Rizardo's catalogue
- Tempo:
- faster than 90% of Franky Rizardo's catalogue
- Reach:
- better known than 85% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Need Someone in?
Need Someone by Franky Rizardo is in D major, or 10B on the Camelot wheel.
What BPM is Need Someone?
Need Someone runs at 130 BPM, a peak-time tempo track.
What mixes well with Need Someone?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Need Someone good for peak time?
With energy 99 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Franky Rizardo
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.