Run Up by Chris Lorenzo cover art
Key
3B · D♭ major
BPM
130
Open Key
8d
Energy
98/100
Pop
0/100
Length
3:42
Released
2019
Genre
House
Loudness
-3.6 dB
ISRC
FR96X1972927

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Run Up is a peak-time tempo house track in D♭ major (3B) at 130 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Hotter than 99% of Chris Lorenzo's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Chris Lorenzo's catalogue
Tempo:
faster than 79% of Chris Lorenzo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood66Bright
Groove79
Acoustic0
Instrumental76
Live20
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Run Up in?

Run Up by Chris Lorenzo is in D♭ major, or 3B on the Camelot wheel.

What BPM is Run Up?

Run Up runs at 130 BPM, a peak-time tempo track.

What mixes well with Run Up?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Run Up good for peak time?

With energy 98 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 130 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More house

More from Chris Lorenzo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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