
Control Freak
- BPM
- 178
- Half-time
- 89
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 2/100
- Length
- 5:36
- Released
- 2006
- Genre
- Drum N Bass
- Loudness
- -4.5 dB
- ISRC
- GBCJY0697005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Control Freak runs 178 BPM in B♭ minor (3A), a drum n bass record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2006 production that still circulates in sets. Less groove-driven than 84% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 82% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Control Freak in?
Control Freak by Danny Byrd is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Control Freak?
Control Freak runs at 178 BPM.
What mixes well with Control Freak?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Control Freak good for peak time?
With energy 96 out of 100 at 178 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 178 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 178 — beatmatch without a big tempo pull.
More drum n bass
More from Danny Byrd
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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