Fresh 89 by Danny Byrd cover art

Fresh 89

Danny Byrd

30s preview

Key
12A · D♭ minor
BPM
178
Half-time
89
Open Key
5m
Energy
93/100
Pop
0/100
Length
7:03
Released
2006
Genre
Drum N Bass
Loudness
-5.4 dB
Dynamics
16.5 dB
ISRC
GBCJY0610902

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Fresh 89 runs 178 BPM in D♭ minor (12A), a drum n bass record. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2006 production that still circulates in sets. More underground than 99% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 95% of Danny Byrd's catalogue
Tempo:
faster than 82% of Danny Byrd's catalogue
Brightness:
darker than 82% of Danny Byrd's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood26Dark
Groove40
Acoustic1
Instrumental74
Live42
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Fresh 89 in?

Fresh 89 by Danny Byrd is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Fresh 89?

Fresh 89 runs at 178 BPM.

What mixes well with Fresh 89?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Fresh 89 good for peak time?

With energy 93 out of 100 at 178 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 178 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 178 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Danny Byrd

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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