Junction 18 by Danny Byrd cover art

Junction 18

Danny Byrd

30s preview

Key
4B · A♭ major
BPM
178
Half-time
89
Open Key
9d
Energy
99/100
Pop
1/100
Length
5:30
Released
2005
Genre
Drum N Bass
Loudness
-2.6 dB
Dynamics
13.5 dB
ISRC
GBCJY0597002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Junction 18 is a drum n bass track in A♭ major (4B) at 178 BPM. The feel is bright and euphoric. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. Hotter than 92% of Danny Byrd's catalogue.

Brightness:
brighter than 88% of Danny Byrd's catalogue
Groove:
less groove-driven than 85% of Danny Byrd's catalogue
Tempo:
faster than 82% of Danny Byrd's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood73Bright
Groove44
Acoustic0
Instrumental42
Live17
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Junction 18 in?

Junction 18 by Danny Byrd is in A♭ major, or 4B on the Camelot wheel.

What BPM is Junction 18?

Junction 18 runs at 178 BPM.

What mixes well with Junction 18?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Junction 18 good for peak time?

With energy 99 out of 100 at 178 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 178 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 178 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Danny Byrd

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.