Judgement Day VIP
- Key
- 7A · D minor
- BPM
- 178
- Half-time
- 89
- Open Key
- 12m
- Energy
- 99/100
- Pop
- 8/100
- Length
- 4:54
- Released
- 2010
- Genre
- Drum N Bass
- Loudness
- -0.3 dB
- ISRC
- GBCJY1018002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Judgement Day VIP: drum n bass, D minor (7A), 178 BPM. It is vocal-led. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Less groove-driven than 96% of Danny Byrd's catalogue.
- Energy:
- hotter than 90% of Danny Byrd's catalogue
- Tempo:
- faster than 82% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Judgement Day VIP in?
Judgement Day VIP by Danny Byrd is in D minor, or 7A on the Camelot wheel.
What BPM is Judgement Day VIP?
Judgement Day VIP runs at 178 BPM.
What mixes well with Judgement Day VIP?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Judgement Day VIP good for peak time?
With energy 99 out of 100 at 178 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 178 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 178 — beatmatch without a big tempo pull.
More drum n bass
More from Danny Byrd
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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