Red Mist, Part 2 (VIP remix)
30s preview
- BPM
- 178
- Half-time
- 89
- Open Key
- 5m
- Energy
- 98/100
- Pop
- 7/100
- Length
- 5:45
- Released
- 2011
- Genre
- Drum N Bass
- Loudness
- -4.6 dB
- Dynamics
- 13.1 dB
- ISRC
- GBCJY1100020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Red Mist, Part 2 (VIP remix) sits in D♭ minor (12A) at 178 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. Hotter than 85% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 82% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Red Mist, Part 2 (VIP remix) in?
Red Mist, Part 2 (VIP remix) by Danny Byrd is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Red Mist, Part 2 (VIP remix)?
Red Mist, Part 2 (VIP remix) runs at 178 BPM.
What mixes well with Red Mist, Part 2 (VIP remix)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Red Mist, Part 2 (VIP remix) good for peak time?
With energy 98 out of 100 at 178 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 178 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 178 — beatmatch without a big tempo pull.
More drum n bass
More from Danny Byrd
Full profile
![11111 (Just Be the One) [Danny Byrd Mix] by Danny Byrd cover art](https://i.scdn.co/image/ab67616d00001e0210659a3a3af44e4d4f3ae4cc){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.