More to Life by Bryan Kearney cover art

More to Life

Bryan Kearney

30s preview

Key
3B · D♭ major
BPM
134
Open Key
8d
Energy
96/100
Pop
7/100
Length
6:27
Released
2007
Genre
Trance
Loudness
-6.2 dB
Dynamics
16.1 dB
ISRC
GBKQU2443500

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

More to Life runs 134 BPM in D♭ major (3B), a peak-time tempo trance record. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2007 production that still circulates in sets. More treble-tilted than 96% of Bryan Kearney's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 91% of Bryan Kearney's catalogue
Groove:
groovier than 89% of Bryan Kearney's catalogue
Brightness:
darker than 77% of Bryan Kearney's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood14Dark
Groove72
Acoustic1
Instrumental82
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is More to Life in?

More to Life by Bryan Kearney is in D♭ major, or 3B on the Camelot wheel.

What BPM is More to Life?

More to Life runs at 134 BPM, a peak-time tempo track.

What mixes well with More to Life?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is More to Life good for peak time?

With energy 96 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 134 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

More trance

More from Bryan Kearney

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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