Small Moments
30s preview
- Key
- 5A · C minor
- BPM
- 130
- Open Key
- 10m
- Energy
- 16/100
- Pop
- 38/100
- Length
- 3:31
- Released
- 2013
- Genre
- Downtempo
- Label
- Not On Label (Above & Beyond Self-released)
- Loudness
- -17.6 dB
- Dynamics
- 19.1 dB
- ISRC
- GBEWA1901472
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Small Moments runs 130 BPM in C minor (5A), a peak-time tempo downtempo record. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2013 production that still circulates in sets. More treble-tilted than 97% of Above & Beyond's catalogue.
- Energy:
- calmer than 96% of Above & Beyond's catalogue
- Reach:
- better known than 94% of Above & Beyond's catalogue
- Groove:
- less groove-driven than 81% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Small Moments in?
Small Moments by Above & Beyond is in C minor, or 5A on the Camelot wheel.
What BPM is Small Moments?
Small Moments runs at 130 BPM, a peak-time tempo track.
What mixes well with Small Moments?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Small Moments good for peak time?
With energy 16 out of 100 at 130 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 130 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More downtempo
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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