Mixing & Performance

Brake

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A manual or software-triggered slowdown of a track's playback that mimics a turntable gradually losing power.

A brake is an effect that gradually decelerates a playing track's speed until it stops, mimicking the sound of a turntable motor losing power. Unlike a spinback, the audio slows and stretches downward in pitch rather than reversing.

Why it matters

It creates a dramatic pause or tension moment that can mark the end of a section, build anticipation before a drop, or signal a hard transition. The gradual deceleration gives the crowd a clear audio cue that something is about to change.

In practice

On CDJs, press pause (or stop) with the jog wheel in vinyl mode and the track decelerates following a curve set by the vinyl speed adjust knob on the unit, not the pitch fader. Rotate that knob clockwise for a slower wind-down or counterclockwise for a faster stop. On software controllers, find the stop time parameter in preferences and dial it in before the set. A shorter stop time produces a tight, punchy stop; a longer one gives the classic slow power-off feel. Engage slip mode first if you want playback to resume from the correct position in the timeline after the brake.

Frequently asked questions

It sounds like the track slowing down and dropping in pitch simultaneously, ending in silence. The effect is the audio equivalent of watching a spinning record lose momentum. Modern DJ software and CDJs simulate this accurately, and some units let you adjust the brake speed to match the feel of different turntable motor types.
Yes, in most DJ software and hardware documentation, a brake is labeled as a vinyl stop or stop effect. The underlying behavior is the same: playback decelerates following a curve that resembles a turntable motor switching off. Some units separate a fast stop from a slow stop, both of which are variations of the brake concept.
Pressing pause cuts audio immediately and cleanly with no pitch change. A brake ramps playback speed down gradually, which stretches and lowers the pitch of the audio as it slows. The deceleration curve is what gives the effect its character and makes it audible as a performance move rather than a technical stop.
Ben Modigell

Hey, it's Ben Modigell 👋

I DJ and produce as so I so — downtempo, minimal, dub house, tech house, and techno (releases on Spotify and SoundCloud, links above). Everything I write here comes from my own gigs, studio sessions, and library cleanups: the rules I follow, the failure modes I've actually hit, and the workflow I use when nobody's watching. If a technique didn't earn its place in my own sets, it doesn't make it into a tutorial.

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