Cottonmouth featuring Mark De Clive-lowe
30s preview
- BPM
- 125
- Open Key
- 4d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 5:42
- Released
- 2007
- Album
- Experiments With Biasonics
- Genre
- Uk Garage
- Loudness
- -3.5 dB
- Dynamics
- 13.5 dB
- ISRC
- GBPHK0700026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo uk garage cut, Cottonmouth featuring Mark De Clive-lowe sits in A major (11B) at 125 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 95% of Zed Bias's catalogue
- Groove:
- less groove-driven than 80% of Zed Bias's catalogue
- Low end:
- more treble-tilted than 79% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Cottonmouth featuring Mark De Clive-lowe in?
Cottonmouth featuring Mark De Clive-lowe by Zed Bias is in A major, or 11B on the Camelot wheel.
What BPM is Cottonmouth featuring Mark De Clive-lowe?
Cottonmouth featuring Mark De Clive-lowe runs at 125 BPM, a club-tempo track.
What mixes well with Cottonmouth featuring Mark De Clive-lowe?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Cottonmouth featuring Mark De Clive-lowe good for peak time?
With energy 97 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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