Birth of the Nanocloud Scene 4 by Zed Bias cover art

Birth of the Nanocloud Scene 4

Zed Bias

Key
10A · B minor
BPM
57
Double-time
114
Open Key
3m
Energy
48/100
Pop
0/100
Length
1:03
Released
2011
Genre
House
Loudness
-10.5 dB
ISRC
GBEUE1002157

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Birth of the Nanocloud Scene 4 is a house track in B minor (10A) at 57 BPM. It reads as dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Slower than 99% of Zed Bias's catalogue. For programming, treat it as a mid-set roller.

Reach:
more underground than 99% of Zed Bias's catalogue
Groove:
less groove-driven than 96% of Zed Bias's catalogue
Energy:
calmer than 93% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood24Dark
Groove45
Acoustic2
Instrumental0
Live29
Speech14

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Birth of the Nanocloud Scene 4 in?

Birth of the Nanocloud Scene 4 by Zed Bias is in B minor, or 10A on the Camelot wheel.

What BPM is Birth of the Nanocloud Scene 4?

Birth of the Nanocloud Scene 4 runs at 57 BPM.

What mixes well with Birth of the Nanocloud Scene 4?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Birth of the Nanocloud Scene 4 good for peak time?

With energy 48 out of 100 at 57 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 57 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 54-60 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 57 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 57 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.