Lost Keys
- Key
- 4A · F minor
- BPM
- 114
- Open Key
- 9m
- Energy
- 49/100
- Pop
- 12/100
- Length
- 11:40
- Released
- 2021
- Album
- Smile
- Genre
- Deep House
- Loudness
- -15.7 dB
- ISRC
- QM4TX2142173
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost Keysoriginal4A · 114
At 114 BPM in F minor (4A), Lost Keys is a mid-tempo deep house production. It reads as dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Better known than 89% of Theo Parrish's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Lost Keys in?
Lost Keys by Theo Parrish is in F minor, or 4A on the Camelot wheel.
What BPM is Lost Keys?
Lost Keys runs at 114 BPM, a mid-tempo track.
What mixes well with Lost Keys?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Lost Keys good for peak time?
With energy 49 out of 100 at 114 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 114 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.